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home·artworks·The Investiture of Herold as Duke of Franconia
The Investiture of Herold as Duke of Franconia by Giovanni Battista Tiepolo

plate no. 1623

The Investiture of Herold as Duke of Franconia

Giovanni Battista Tiepolo, 1751

frescoRococogenre paintingfiguresarchitecturedraperyskydoghistorical scene
advanced study

Recreating this painting would help students develop skills in rendering complex figures, drapery, and architectural details, as well as understanding atmospheric perspective and color harmony in a historical context.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and proportions, paying attention to the perspective.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on the large areas of light and shadow.

  3. step 03

    Develop the figures, starting with the central figures and working outwards, paying attention to anatomy and drapery.

  4. step 04

    Add details to the architecture and decorative elements, using smaller brushes and finer lines.

  5. step 05

    Refine the colors and values, adding highlights and shadows to create depth and dimension.

  6. step 06

    Add the drapery and the sky.

  7. step 07

    Add the final details, such as the faces, hands, and textures.

  8. step 08

    Glaze the painting with thin layers of color to unify the overall effect.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red · cerulean blue · gold

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Create shadows by adding burnt umber or ivory black to the base color. Use thin washes of blue and white for the sky.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·architectural perspective
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions of figures
  • →Overworking details too early
  • →Muddying colors by over-mixing
  • →Ignoring the overall composition and perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·ivory black acrylic paint
  • ·raw umber acrylic paint
  • ·titanium white acrylic paint
  • ·yellow ochre acrylic paint
  • ·round brushes sizes 2, 4, 6, 8

optional

  • ·palette knife
  • ·retarder medium
  • ·varnish

Use high-quality acrylic paints for best results. Apply multiple thin layers of gesso to create a smooth surface.

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