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home·artworks·The Intelligence
The Intelligence by Rene Magritte

plate no. 2812

The Intelligence

Rene Magritte, 1946

oilSurrealismsymbolic paintingfiguresmasksfactoryportraitsculptureindustrial
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating texture with visible brushstrokes. It also provides practice in rendering figures and creating a surreal atmosphere.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the figures, factory, and sculpture.

  2. step 02

    Block in the main colors for each area, using thin washes of paint.

  3. step 03

    Begin layering colors to build up depth and form, focusing on the skin tones and clothing of the figures.

  4. step 04

    Add details to the faces, masks, and sculpture, using smaller brushes.

  5. step 05

    Create texture by applying paint with visible brushstrokes, following the direction of the forms.

  6. step 06

    Refine the colors and values, adjusting the highlights and shadows to create a sense of depth.

  7. step 07

    Add the background details of the factory, using a limited palette of colors.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · ultramarine blue · cadmium red light · yellow ochre

secondary · burnt umber · cerulean blue · cadmium yellow

Mix skin tones by blending white, red, yellow ochre, and a touch of blue. Create the blue-grey tones for the clothing by mixing ultramarine blue with white and a touch of burnt umber.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·impasto

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Ignoring the direction of the brushstrokes, leading to a flat and lifeless surface.
  • →Neglecting the subtle variations in color and value.
  • →Getting lost in details too early, before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·#2 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can help to unify the colors.

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