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home·artworks·The Incredulity of Thomas
The Incredulity of Thomas by Maarten de Vos

plate no. 8950

The Incredulity of Thomas

Maarten de Vos

oilNorthern Renaissancereligious paintingfiguresreligious scenearchitecturedraperymeninterior
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in mixing realistic skin tones and capturing complex emotions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the basic values with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Start blocking in the main colors of the drapery, skin tones, and background, focusing on the overall color harmony.

  4. step 04

    Develop the figures individually, refining the shapes, adding details, and building up the highlights and shadows.

  5. step 05

    Pay close attention to the folds and textures of the drapery, using a variety of brushstrokes to create visual interest.

  6. step 06

    Work on the architectural details, adding depth and dimension to the columns and arches.

  7. step 07

    Refine the facial expressions and gestures of the figures to convey the narrative of the scene.

  8. step 08

    Add final highlights and details to create a sense of realism and luminosity.

color palette

primary · red ochre · raw umber · titanium white · ultramarine blue

secondary · yellow ochre · ivory black · cadmium red light · viridian

Achieve skin tones by mixing white, red ochre, and a touch of raw umber. Use ultramarine blue and burnt umber to create grays and shadows. Mix viridian with yellow ochre for muted greens.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of figures
  • →Overly saturated colors
  • →Lack of depth and perspective
  • →Ignoring the subtle variations in skin tones

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (red ochre, raw umber, titanium white, ultramarine blue, yellow ochre, ivory black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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