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home·artworks·The house of cards
The house of cards by Theodore Gerard

plate no. 6981

The house of cards

Theodore Gerard, 1869

oil, panelAcademicismgenre paintingfiguresinteriortablecardsfamilydomestic scene
experienced study

Recreating this painting will help students develop skills in rendering realistic figures in a dimly lit interior and creating a sense of depth through atmospheric perspective and subtle value changes. It also provides practice in capturing the textures of various materials like wood, fabric, and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color, focusing on the overall light and shadow patterns.

  3. step 03

    Develop the background and surrounding environment, paying attention to the atmospheric perspective and subtle color variations.

  4. step 04

    Begin to refine the figures, adding details and modeling the forms with careful attention to light and shadow.

  5. step 05

    Work on the details of the clothing, furniture, and other objects, capturing their textures and colors.

  6. step 06

    Pay special attention to the faces and hands of the figures, adding subtle details to convey their expressions and gestures.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of harmony and balance.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burnt umber · yellow ochre · ivory black · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the warm, muted tones by mixing burnt umber, yellow ochre, and ivory black with varying amounts of titanium white. Use small amounts of cadmium red and ultramarine blue to create subtle color variations and shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle color variations in the shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for capturing the details of the painting.

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