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home·artworks·The Honourable Charles Wolfran Cornwal
The Honourable Charles Wolfran Cornwal by Thomas Gainsborough

plate no. 3024

The Honourable Charles Wolfran Cornwal

Thomas Gainsborough, 1786

oil, canvasRococoportraitportraitfigurewigrobedraperytable
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering complex textures like fabric and hair. It also provides practice in glazing and layering to achieve depth and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad strokes, blending colors to create a sense of depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to the fall of light and shadow.

  4. step 04

    Begin layering colors to define the form of the face and hands, focusing on subtle transitions.

  5. step 05

    Add details to the wig and lace, using smaller brushes and lighter colors.

  6. step 06

    Render the robe with careful attention to the folds and textures, using a combination of blending and dry brushing.

  7. step 07

    Paint the gold trim on the robe, using a fine brush and layering colors to create a metallic effect.

  8. step 08

    Refine the details and add final touches, such as highlights and shadows, to create a sense of realism.

color palette

primary · ivory black · burnt umber · cadmium red · titanium white

secondary · yellow ochre · raw sienna · alizarin crimson

Achieve the rich dark tones by mixing ivory black and burnt umber, and create highlights by adding titanium white and a touch of yellow ochre. Mix alizarin crimson and burnt umber for the drapery.

techniques

  • ·portraiture
  • ·glazing
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ivory black, burnt umber, cadmium red, titanium white, yellow ochre, raw sienna, alizarin crimson)
  • ·#2 round brush
  • ·#4 flat brush
  • ·#6 filbert brush
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to establish a base color.

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