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home·artworks·The Holy Women return from Christ's tomb
The Holy Women return from Christ's tomb by Pierre Jean Van der Ouderaa

plate no. 3438

The Holy Women return from Christ's tomb

Pierre Jean Van der Ouderaa, 1893

oilAcademicismreligious paintingfiguresarchitecturereligious sceneclothingstonebasket
experienced study

Recreating this painting will help students develop skills in rendering realistic figures with drapery and creating a sense of depth through subtle value changes. It also provides practice in depicting textures like stone and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin blocking in the background with thin washes of color, paying attention to the overall tone and atmosphere.

  4. step 04

    Start building up the figures, working from general shapes to more refined details.

  5. step 05

    Focus on accurately rendering the drapery, paying attention to the folds and highlights.

  6. step 06

    Add details to the faces, capturing the expressions and individual characteristics of each figure.

  7. step 07

    Refine the architectural elements, adding texture and detail to the stone walls.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and harmonious painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to build up depth and richness.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·drapery studies
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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