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home·artworks·The Holy Family with St. Elizabeth and St. John the Baptist
The Holy Family with St. Elizabeth and St. John the Baptist by Andrea Mantegna

plate no. 7558

The Holy Family with St. Elizabeth and St. John the Baptist

Andrea Mantegna, 1505

oilHigh Renaissancereligious paintingfiguresreligiousfamilyinfantdraperyportrait
experienced study

Recreating this painting helps develop skills in portraiture, particularly rendering realistic skin tones and drapery. It also provides practice in creating a complex composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the placement and proportions of each figure.

  2. step 02

    Block in the background with dark, muted tones.

  3. step 03

    Begin with the faces, focusing on accurate proportions and subtle value changes to create form.

  4. step 04

    Layer in the clothing and drapery, paying attention to folds and highlights.

  5. step 05

    Carefully render the skin tones, using thin glazes to build up color and depth.

  6. step 06

    Add details such as hair, jewelry, and facial features.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Apply a final glaze to unify the painting and enhance the colors.

color palette

primary · raw umber · yellow ochre · titanium white · cadmium red

secondary · ivory black · burnt sienna · ultramarine blue

Achieve skin tones by mixing white with small amounts of red, yellow ochre, and raw umber. Use glazes of burnt sienna and red to add warmth and depth. Create the dark background by mixing black with umber and a touch of blue.

techniques

  • ·glazing
  • ·scumbling
  • ·portraiture
  • ·figure drawing
  • ·chiaroscuro

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth and atmosphere.
  • →Ignoring the subtle value changes that define form.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 0, 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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