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home·artworks·The High Council
The High Council by Mabuse

plate no. 6976

The High Council

Mabuse, 1525

oil, panelNorthern Renaissancehistory paintingfiguresrobesinteriorcouncilhistoricalarchitecture
experienced study

Recreating this painting will help students understand how to depict large groups of figures in a realistic setting, and how to create depth through atmospheric perspective and value changes. It also provides practice in rendering fabrics and textures with subtle brushwork.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the placement of the figures and the architectural elements.

  2. step 02

    Block in the main shapes and colors of the background, including the wall and the floor.

  3. step 03

    Begin painting the figures in the back rows, gradually working your way forward.

  4. step 04

    Pay close attention to the folds and shadows in the robes to create a sense of volume.

  5. step 05

    Mix and apply the colors for the faces, capturing the individual features and expressions.

  6. step 06

    Add details to the architectural elements, such as the windows and the table.

  7. step 07

    Refine the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add the final details, such as the writing on the papers and the jewelry.

color palette

primary · red · black · white · brown

secondary · gold · gray · ochre

Mix various shades of red by combining a base red with small amounts of brown, black, or white. Create subtle variations in skin tones by mixing white, ochre, and a touch of red or brown.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Inaccurately rendering the proportions of the figures.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, black, white, brown, ochre, gold, gray)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (small round, medium flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

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