apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The heir
The heir by William Hogarth

plate no. 9048

The heir

William Hogarth, 1735

oil, canvasRococogenre paintingfiguresinteriorroomfurniturepaintingsdocuments
experienced study

Recreating this painting will help students develop skills in rendering complex scenes with multiple figures and objects, as well as understanding atmospheric perspective and creating a sense of depth. It also provides practice in capturing realistic skin tones and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background elements, paying attention to atmospheric perspective and detail.

  4. step 04

    Focus on rendering the figures, starting with the largest and most prominent ones.

  5. step 05

    Mix and apply skin tones, using highlights and shadows to create form.

  6. step 06

    Add details to the clothing and accessories, capturing the textures and patterns.

  7. step 07

    Refine the lighting and shadows throughout the painting.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · ivory black · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue · burnt sienna

Mix various shades of brown and gray by combining raw umber, ivory black, and titanium white. Use yellow ochre and cadmium red light to create warm skin tones. Add ultramarine blue to create cooler shadows.

techniques

  • ·Underpainting
  • ·Glazing
  • ·Scumbling
  • ·Chiaroscuro
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Ignoring the principles of atmospheric perspective.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (raw umber, ivory black, titanium white, yellow ochre, cadmium red light, ultramarine blue, burnt sienna)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine
  • ·Palette knife
  • ·Rags

optional

  • ·Medium (e.g., Liquin)
  • ·Varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West