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home·artworks·The Hammock
The Hammock by Henri-Pierre Picou

plate no. 8641

The Hammock

Henri-Pierre Picou, 1884

oilAcademicismnude painting (nu)figurehammockbirdsfoliagetreesnude
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly rendering skin tones and creating soft, blended transitions. It also provides practice in depicting complex drapery and creating a sense of depth through atmospheric perspective.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, hammock, and background foliage.

  2. step 02

    Establish the overall color scheme by blocking in the major areas of color with thin washes.

  3. step 03

    Focus on the figure, building up skin tones with layers of subtle color variations and soft blending.

  4. step 04

    Define the drapery with careful attention to light and shadow, capturing the folds and textures.

  5. step 05

    Paint the hammock, paying attention to the pattern and the way it wraps around the figure.

  6. step 06

    Develop the background foliage, using varying shades of green and brown to create depth and atmosphere.

  7. step 07

    Add the birds, focusing on their dynamic poses and subtle color variations.

  8. step 08

    Refine details and adjust values to create a cohesive and harmonious composition.

color palette

primary · titanium white · yellow ochre · raw umber · burnt sienna

secondary · viridian green · alizarin crimson · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use thin glazes of green and brown to create depth in the foliage. Mix white with small amounts of blue and grey for the birds.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to create a sense of depth in the background foliage.
  • →Inaccurately portraying the figure's anatomy and proportions.
  • →Ignoring the subtle color variations in the drapery and hammock.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Prepare the canvas with gesso before beginning.

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