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The gully by Grace Cossington Smith

plate no. 6115

The gully

Grace Cossington Smith, 1928

oilCubismlandscapetreesforestfoliagelandscapegully
some experience helpful

Recreating this painting will help students understand how to break down complex scenes into simplified geometric shapes and use color to define form and depth. It will also improve their understanding of layering and creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition, focusing on the placement of the trees and foliage.

  2. step 02

    Block in the large areas of color, starting with the darkest values.

  3. step 03

    Begin adding layers of color to build up the form of the trees and foliage, using short, distinct brushstrokes.

  4. step 04

    Pay attention to the direction of the brushstrokes to create a sense of texture and movement.

  5. step 05

    Mix lighter values to create highlights and add depth to the foliage.

  6. step 06

    Refine the shapes and edges of the trees and foliage, using a smaller brush.

  7. step 07

    Add details such as branches and leaves, using a dry brush technique for texture.

  8. step 08

    Step back and assess the painting, making any necessary adjustments to the color, value, and composition.

color palette

primary · dark green · grey · brown

secondary · light green · ochre · purple

Mix greens by combining blues and yellows with a touch of brown or black. Create grays by mixing black and white, and adjust the temperature by adding a touch of blue or brown. Use ochre and brown to create earth tones.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·geometric simplification
  • ·scumbling

common pitfalls

  • →Overblending colors, losing the distinct brushstrokes.
  • →Not simplifying the shapes enough, resulting in a cluttered composition.
  • →Ignoring the value structure, leading to a flat painting.
  • →Using too much detail, losing the overall impressionistic effect.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil or acrylic medium

optional

  • ·easel
  • ·painting rags
  • ·viewfinder
  • ·medium gloss

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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