
plate no. 0851
Katsushika Hokusai, 1831
Students would develop skills in creating dynamic movement and flow, understanding how to use line work to suggest water texture and foam patterns, and practicing controlled color gradation within a limited palette.
technical profile
approach — 8 steps
Sketch the basic wave composition with the large wave dominating the left side
Block in the main shapes: large wave, smaller waves, boats, and Mount Fuji
Establish the neutral background tone across the entire composition
Paint the dark blue base of the waves using Prussian blue mixed with burnt umber
Add the lighter blue-green tones to the wave faces and water
Create the white foam patterns using deliberate curved strokes
Paint the small boats with careful attention to their positioning within the waves
Add final details like foam droplets and refine the wave crest textures
color palette
primary · Prussian blue · titanium white · raw umber · yellow ochre
secondary · cerulean blue · burnt umber · ivory black
Mix Prussian blue with white for lighter wave tones, add touches of raw umber for depth in shadows, use pure white for foam highlights
techniques
common pitfalls
surface · stretched canvas or heavyweight watercolor paper 300gsm
required
optional
Use acrylic paints for easier blending and longer working time compared to the original woodblock technique
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