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home·artworks·The Great Spring Tide of 1858
The Great Spring Tide of 1858 by Michael Sowa

plate no. 2334

The Great Spring Tide of 1858

Michael Sowa

oilSurrealismanimal paintingsheepwavewatergrassskyanimals
some experience helpful

This painting provides practice in rendering realistic textures, particularly the wool of the sheep and the turbulent water. Students will also learn to create depth through atmospheric perspective and value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, the wave's general shape, and the placement of the sheep.

  2. step 02

    Block in the sky with a light, muted grey, blending smoothly.

  3. step 03

    Establish the dark areas of the wave with a dark blue-grey, paying attention to the overall form.

  4. step 04

    Begin building up the wave's texture with short, broken brushstrokes of white and light blue, focusing on highlights and foam.

  5. step 05

    Paint the grass with varying shades of green, using short strokes to suggest texture.

  6. step 06

    Block in the sheep's bodies with a light beige or off-white, adding shadows to define their forms.

  7. step 07

    Add details to the sheep, such as their faces, ears, and wool texture, using small, controlled brushstrokes.

  8. step 08

    Refine the wave's details, adding highlights and adjusting values to create a sense of depth and movement.

color palette

primary · titanium white · ultramarine blue · burnt umber

secondary · yellow ochre · viridian green

Mix various shades of grey and blue-grey for the wave by combining white, blue, and a touch of umber. Use yellow ochre and blue to create natural greens.

techniques

  • ·dry brushing
  • ·scumbling
  • ·atmospheric perspective
  • ·broken color
  • ·layering

common pitfalls

  • →Overworking the wave, resulting in a flat or muddy appearance.
  • →Making the sheep too bright or clean, losing their natural appearance.
  • →Ignoring the subtle value changes in the sky and wave, flattening the image.
  • →Not establishing a clear light source, leading to inconsistent shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·viridian green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve blending.

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