apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Good Mother
The Good Mother by Jean-Honore Fragonard

plate no. 0289

The Good Mother

Jean-Honore Fragonard

oil, canvasRococogenre paintingfigureslandscapetreesgardenchildrenmother
some experience helpful

Recreating this painting will help students develop skills in rendering soft light and shadow, as well as blending colors to create a sense of atmosphere. It also provides practice in painting figures in a natural setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the cradle.

  2. step 02

    Block in the main areas of color, starting with the background foliage.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and drapery.

  4. step 04

    Develop the details of the faces and hands, paying attention to the subtle gradations of tone.

  5. step 05

    Add the details of the clothing and the cradle, using small brushstrokes to create texture.

  6. step 06

    Paint the flowers and foliage in the foreground, using a variety of colors and brushstrokes.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · titanium white · rose madder · viridian

secondary · ultramarine blue · raw umber · cadmium yellow light

Mix greens by blending yellow ochre and viridian. Achieve skin tones by mixing titanium white, rose madder, and a touch of yellow ochre. Use raw umber to create shadows and depth.

techniques

  • ·glazing
  • ·scumbling
  • ·soft blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating harsh lines and edges instead of soft transitions.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a fine-grained canvas for smoother blending. Consider using a medium to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West