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home·artworks·The Ghent Altarpiece (interior)
The Ghent Altarpiece (interior) by Jan van Eyck

plate no. 8711

The Ghent Altarpiece (interior)

Jan van Eyck, 1432

oil, woodNorthern Renaissancereligious paintingfiguresreligious scenelandscapearchitecturealtarpiececrowd
advanced study

Recreating this painting would develop skills in meticulous detail work, glazing techniques, and rendering complex textures and drapery. Students would also learn about composition and perspective in a multi-panel format.

technical profile

palette complexity
5
brushwork visibility
2
value contrast
3
compositional simplicity
1

study guide

est. 100 hrs

approach — 8 steps

  1. step 01

    Begin with a detailed grid-based sketch of the entire altarpiece, paying close attention to proportions and perspective.

  2. step 02

    Underpaint the entire composition with thin layers of burnt umber and white to establish values and shadows.

  3. step 03

    Start painting the central panels, focusing on the figures of God, Mary, and John the Baptist, building up layers of color with glazes.

  4. step 04

    Move on to the side panels, rendering the details of the angels, Adam and Eve, and the musical instruments.

  5. step 05

    Paint the lower panels, capturing the landscape, architecture, and the crowd of figures with precise detail.

  6. step 06

    Refine the details of the drapery, faces, and textures, using small brushes and thin layers of paint.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Apply a final layer of varnish to protect the painting and enhance the colors.

color palette

primary · ultramarine blue · crimson red · viridian green · ivory black

secondary · gold ochre · raw sienna · lead white · yellow ochre

Achieve the rich, luminous colors through layering and glazing. Mix primary colors with white to create subtle variations and highlights. Use thin washes of color to build up depth and saturation.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·grisaille
  • ·linear perspective

common pitfalls

  • →getting lost in the details too early
  • →overworking the paint
  • →inaccurate proportions
  • →muddy colors from overmixing

materials

surface · gessoed wood panel

required

  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·various sizes of fine detail brushes
  • ·palette
  • ·palette knife
  • ·stretched canvas or wood panel
  • ·soft cloth

optional

  • ·dammar varnish
  • ·retouch varnish
  • ·medium gel
  • ·easel

Use high-quality oil paints with fine pigments for best results. Allow each layer of paint to dry completely before applying the next.

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