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home·artworks·The Fragrance of a Bath
The Fragrance of a Bath by Ito Shinsui

plate no. 2694

The Fragrance of a Bath

Ito Shinsui, 1930

oilShin-hanganude painting (nu)figurerockwaterleavesautumnsky
some experience helpful

Recreating this painting will help students develop skills in figure drawing, particularly in capturing subtle curves and proportions, and in creating a sense of depth through layering and color variation.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure, rock, and background elements.

  2. step 02

    Apply a thin wash of light yellow and orange to the background sky area.

  3. step 03

    Block in the skin tones with a very pale pinkish-beige, paying attention to subtle shadows.

  4. step 04

    Paint the hair with a solid black, adding hints of blue or purple for depth.

  5. step 05

    Define the rock with varying shades of gray and brown, creating texture with short strokes.

  6. step 06

    Add the water with light blues and greens, suggesting movement with horizontal strokes.

  7. step 07

    Paint the maple leaves with shades of red and orange, varying their size and placement.

  8. step 08

    Refine the details and add final touches to the figure and background.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cerulean blue · cadmium red · raw umber

Achieve the skin tones by mixing titanium white with a touch of yellow ochre and a tiny amount of burnt sienna. Mix various grays for the rock by combining ivory black, raw umber, and titanium white.

techniques

  • ·glazing
  • ·blending
  • ·color layering
  • ·contour drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones and losing the delicate quality.
  • →Creating harsh lines instead of soft transitions.
  • →Making the rock appear flat and lacking texture.
  • →Using colors that are too saturated and not muted enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

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oil painting for beginners →how to learn by studying the masters →
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