apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Flagellation of Christ
The Flagellation of Christ by Albrecht Altdorfer

plate no. 5710

The Flagellation of Christ

Albrecht Altdorfer, 1518

oil, woodNorthern Renaissancereligious paintingfiguresarchitecturecolumnsbuildingreligious scenesky
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering realistic skin tones, and creating depth through atmospheric perspective. It also provides practice in depicting complex architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main figures and architectural elements, paying attention to proportions and perspective.

  2. step 02

    Establish the background sky and distant architecture using thin washes of color.

  3. step 03

    Block in the main figures with basic skin tones and clothing colors, focusing on accurate anatomy.

  4. step 04

    Develop the architectural details, including the columns, arches, and decorative elements.

  5. step 05

    Refine the figures by adding shadows, highlights, and details to create a sense of volume and realism.

  6. step 06

    Add details to the foreground figures, including clothing folds, facial features, and the instruments of flagellation.

  7. step 07

    Pay attention to the lighting and shadows to create depth and drama.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · flesh tones (various mixes of red, yellow, white) · burnt umber · ultramarine blue

secondary · cadmium red · yellow ochre · viridian green · ivory black

Achieve realistic skin tones by mixing various combinations of red, yellow, white, and a touch of blue. Use thin washes of ultramarine blue mixed with white to create the atmospheric perspective in the background.

techniques

  • ·figure drawing
  • ·glazing
  • ·atmospheric perspective
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions in figures
  • →Flat or unrealistic skin tones
  • →Lack of depth in the background
  • →Overworking details too early
  • →Ignoring the light source

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley