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home·artworks·The first embellishment
The first embellishment by Carl von Bergen

plate no. 6343

The first embellishment

Carl von Bergen, 1894

oilAcademicismgenre paintingfigurechilddressbeadstableinterior
some experience helpful

Recreating this painting will help students understand how to render form using value and how to create realistic textures with brushstrokes. It also provides practice in depicting the human figure and drapery.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: the figure, the table, and the background.

  2. step 02

    Establish the darkest and lightest areas to define the value range.

  3. step 03

    Begin filling in the background with a mid-tone gray, blending smoothly.

  4. step 04

    Work on the figure, starting with the face and hands, paying attention to the subtle gradations of light and shadow.

  5. step 05

    Develop the details of the dress and other clothing, using short, directional strokes to suggest the folds and textures.

  6. step 06

    Paint the table and the bowl of beads, focusing on the reflected light and shadows.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and realism.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Mix various shades of gray by combining black and white. Add small amounts of raw umber or yellow ochre to warm the grays slightly. Use payne's gray for cooler shadows.

techniques

  • ·value study
  • ·hatching
  • ·scumbling
  • ·blending
  • ·rendering form

common pitfalls

  • →Failing to establish a clear value range, resulting in a flat and lifeless painting.
  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Ignoring the subtle gradations of light and shadow on the figure, making it appear two-dimensional.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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