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home·artworks·The fight in front of the Town Hall, July 28, 1830
The fight in front of the Town Hall, July 28, 1830 by Jean-Victor Schnetz

plate no. 8745

The fight in front of the Town Hall, July 28, 1830

Jean-Victor Schnetz

oil, canvasAcademicismhistory paintingfiguresbuildingflagsmokebattlecrowd
advanced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth and atmosphere using value and color. It also provides practice in rendering complex scenes with many elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and the building.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Start defining the figures, focusing on proportions and anatomical accuracy.

  4. step 04

    Develop the background building, paying attention to perspective and detail.

  5. step 05

    Add details to the figures, including clothing, weapons, and facial features.

  6. step 06

    Build up the highlights and shadows to create depth and dimension.

  7. step 07

    Refine the details and add finishing touches, such as smoke and debris.

  8. step 08

    Glaze to unify the painting and adjust the values and colors as needed.

color palette

primary · burnt umber · titanium white · Prussian blue · cadmium red

secondary · yellow ochre · ivory black · raw sienna

Mix various shades of gray and brown by combining burnt umber, ivory black, and titanium white. Use Prussian blue and titanium white for the blue in the flag. Mix cadmium red with burnt umber for the red tones.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·chiaroscuro
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of figures
  • →flat or unrealistic rendering of forms
  • →overworking the details
  • →inaccurate perspective
  • →muddy colors

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·Prussian blue oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall value range.

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