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home·artworks·The Fat Kitchen. An Allegory
The Fat Kitchen. An Allegory by Pieter Aertsen

plate no. 1147

The Fat Kitchen. An Allegory

Pieter Aertsen, 1570

oilNorthern Renaissanceallegorical paintingfiguresfoodkitcheninteriorstill lifeallegory
advanced study

Recreating this painting will help students develop skills in rendering complex compositions, creating realistic textures, and understanding the use of light and shadow to define form. It also provides practice in mixing a wide range of earth tones and subtle color variations.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a detailed sketch of the composition, paying attention to proportions and placement of objects and figures.

  2. step 02

    Establish the background colors and major light sources.

  3. step 03

    Block in the main shapes and colors of the figures, food, and other objects.

  4. step 04

    Begin layering and blending colors to create depth and form.

  5. step 05

    Focus on rendering textures, such as the skin of the figures, the surfaces of the food, and the fabrics.

  6. step 06

    Refine the details, adding highlights and shadows to enhance realism.

  7. step 07

    Pay close attention to the subtle color variations in the shadows and highlights.

  8. step 08

    Add final details and glazes to unify the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the flesh tones by mixing burnt umber, raw sienna, cadmium red, and titanium white. Create the darker shadows by adding ivory black and ultramarine blue to the earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to create a strong sense of depth and form.
  • →Ignoring the subtle color variations in the shadows and highlights.
  • →Getting lost in the details and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·damar varnish
  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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