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home·artworks·The Farewell
The Farewell by Eugene de Blaas

plate no. 9472

The Farewell

Eugene de Blaas

oil, panelAcademicismportraitfiguredressarchitecturedoorwayportraitfabric
some experience helpful

Recreating this painting will help students develop skills in rendering realistic fabric folds and capturing subtle skin tones. It also provides practice in creating depth through atmospheric perspective and accurate proportions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and the doorway.

  2. step 02

    Establish the main light and shadow areas using a mid-tone wash.

  3. step 03

    Block in the local colors of the dress, skin, and background.

  4. step 04

    Refine the values and colors, paying attention to subtle shifts in tone.

  5. step 05

    Add details to the face, hands, and fabric folds.

  6. step 06

    Create texture in the brickwork using dry brush techniques.

  7. step 07

    Soften edges and blend colors where necessary to create a sense of atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · alizarin crimson · yellow ochre · burnt umber

secondary · cerulean blue · viridian green · cadmium yellow light

Mix various shades of pink for the dress by combining alizarin crimson and titanium white, adjusting the ratio for highlights and shadows. Achieve skin tones by blending yellow ochre, alizarin crimson, and titanium white, adding small amounts of burnt umber for darker areas.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·dry brushing

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of light and atmosphere.
  • →Using colors that are too saturated.
  • →Failing to create a convincing sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. Pre-toned canvas with a burnt umber wash can help establish values.

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oil painting for beginners →how to learn by studying the masters →
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