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home·artworks·The Fall of Man
The Fall of Man by Hugo van der Goes

plate no. 6241

The Fall of Man

Hugo van der Goes, 1480

oil, panelNorthern Renaissancereligious paintingfigurestreelandscapeapplegardensnake
experienced study

Recreating this painting will help students develop skills in figure drawing, rendering skin tones, and creating depth through atmospheric perspective. It also provides practice in detailed rendering of foliage and complex textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a warm underpainting.

  2. step 02

    Lightly sketch the main figures and the tree, paying attention to proportions and placement.

  3. step 03

    Block in the basic skin tones of Adam, Eve, and the serpent, focusing on the light and shadow areas.

  4. step 04

    Begin layering the foliage of the tree, starting with the darker greens and adding highlights.

  5. step 05

    Refine the details of the figures, including facial features, hair, and muscle definition.

  6. step 06

    Add the apples to the tree and the flowers in the foreground.

  7. step 07

    Develop the background landscape, using atmospheric perspective to create depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · raw umber · titanium white · alizarin crimson

secondary · ultramarine blue · viridian green · cadmium yellow

Achieve skin tones by mixing yellow ochre, raw umber, alizarin crimson, and titanium white. Use ultramarine blue and viridian green to create a range of greens for the foliage. Add cadmium yellow for highlights and brighter areas.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·figure drawing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly saturated colors in the foliage.
  • →Lack of depth in the background.
  • →Insufficient blending of skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, raw umber, titanium white, alizarin crimson, ultramarine blue, viridian green, cadmium yellow)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending and glazing.

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