apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Eye of Silence
The Eye of Silence by Max Ernst

plate no. 9338

The Eye of Silence

Max Ernst, 1943

oil, canvasSurrealismallegorical paintingarchitecturelandscapefiguresskysurrealallegorical
experienced study

Recreating this painting will help students develop skills in layering paint to create depth and texture, as well as understanding how to create a surreal and dreamlike atmosphere through color and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition of the architectural structures and figures.

  2. step 02

    Establish the background sky with a thin wash of muted greens and grays.

  3. step 03

    Block in the main colors of the structures, focusing on the green and brown tones.

  4. step 04

    Begin layering paint to build up texture and detail on the structures.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Introduce the smaller details such as the eyes and other surreal elements.

  7. step 07

    Refine the colors and values to create a cohesive and atmospheric effect.

  8. step 08

    Add final details and glazes to enhance the overall mood.

color palette

primary · sap green · raw umber · titanium white

secondary · cadmium yellow · burnt sienna · ultramarine blue

Achieve the various green tones by mixing sap green with varying amounts of yellow and white. Use raw umber and burnt sienna for the darker, earthy tones, and add small amounts of blue to create muted grays.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.
  • →Losing the overall composition by focusing too much on individual elements.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (sap green, raw umber, titanium white, cadmium yellow, burnt sienna, ultramarine blue)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a medium-tooth canvas to allow for layering and texture. Consider using a glazing medium to enhance the depth and luminosity of the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte