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home·artworks·The Eve of the Deluge
The Eve of the Deluge by John Martin

plate no. 6918

The Eve of the Deluge

John Martin, 1840

oil, canvasRomanticismreligious paintingfigureslandscapemountainsskycometclouds
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex scenes with many figures. It's a good exercise in glazing and layering to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky gradient with light blues and pinks, blending smoothly.

  3. step 03

    Block in the distant mountains with pale washes of color, using atmospheric perspective.

  4. step 04

    Define the foreground cliffs and figures with darker tones and more detail.

  5. step 05

    Add the comet and celestial objects, paying attention to their luminosity.

  6. step 06

    Glaze over the entire painting to unify the colors and create depth.

  7. step 07

    Add final highlights and details to the figures and foreground elements.

  8. step 08

    Refine the overall composition and adjust values as needed.

color palette

primary · ultramarine blue · titanium white · burnt umber · yellow ochre

secondary · alizarin crimson · cadmium yellow light

Achieve the atmospheric haze by mixing white with small amounts of blue, umber, and crimson. Use glazes of thinned umber and crimson to create depth in the shadows.

techniques

  • ·glazing
  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated, resulting in a flat image.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, titanium white, burnt umber, yellow ochre, alizarin crimson, cadmium yellow light)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium (e.g., Liquin)

Use high-quality oil paints for best results. Allow each layer to dry before applying the next glaze.

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