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home·artworks·The Entrance to the Villa Beaulieu in Honfleur (also known as Before the Storm)
The Entrance to the Villa Beaulieu in Honfleur (also known as Before the Storm) by Felix Vallotton

plate no. 3637

The Entrance to the Villa Beaulieu in Honfleur (also known as Before the Storm)

Felix Vallotton, 1916

oil, canvasMagic Realismlandscapetreespathlandscapeskygrassfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective to convey distance.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and the placement of the trees.

  2. step 02

    Block in the sky with a light blue-gray wash.

  3. step 03

    Establish the main areas of green for the grass and foliage, using darker greens in the shadows.

  4. step 04

    Paint the path with a light beige color, adding subtle variations in tone to suggest texture.

  5. step 05

    Develop the trees, layering different shades of green and brown to create depth and form.

  6. step 06

    Add details to the foliage, using short, broken brushstrokes to suggest leaves.

  7. step 07

    Introduce the small yellow flowers in the grass with small dots of color.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · sap green · yellow ochre · titanium white

secondary · burnt umber · cerulean blue · cadmium yellow

Mix greens by combining yellow ochre and cerulean blue with varying amounts of white. Use burnt umber to darken greens and create shadows. Achieve the path color by mixing yellow ochre and white with a touch of burnt umber.

techniques

  • ·dry brush texture
  • ·layering
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Using too much pure color without mixing, leading to a lack of harmony.
  • →Ignoring the subtle value shifts that create depth.
  • →Failing to create a convincing sense of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Acrylics are more beginner-friendly due to their faster drying time.

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oil painting for beginners →how to learn by studying the masters →
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