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The emptied cup by Ludwig Knaus

plate no. 9808

The emptied cup

Ludwig Knaus, 1886

oil, mahogany panelAcademicismgenre paintingfigurechildcupclothingbackgroundfloor
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing facial expressions and rendering realistic skin tones, as well as understanding light and shadow to create depth and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background, paying attention to the overall composition.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the local colors of the background, clothing, and skin, focusing on the overall value relationships.

  4. step 04

    Refine the skin tones, using subtle color variations to create a sense of realism and depth.

  5. step 05

    Add details to the clothing, such as the lace collar and the folds in the skirt, paying attention to how light interacts with the fabric.

  6. step 06

    Paint the metal cup, using highlights and shadows to create a sense of form and reflectivity.

  7. step 07

    Refine the facial features, capturing the child's expression with careful attention to detail.

  8. step 08

    Add final details and highlights to complete the painting, making sure to maintain a sense of unity and harmony.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Mix various shades of brown and gray for the background and clothing. Use small amounts of red and yellow to create realistic skin tones.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones and creating a muddy or unnatural appearance.
  • →Failing to establish a strong sense of light and shadow, resulting in a flat or lifeless painting.
  • →Getting lost in the details and losing sight of the overall composition.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of burnt umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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