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home·artworks·The election of George of Poděbrady as King of Bohemia
The election of George of Poděbrady as King of Bohemia by Vaclav Brozik

plate no. 0009

The election of George of Poděbrady as King of Bohemia

Vaclav Brozik, 1898

oil, canvasAcademicismhistory paintingfiguresinteriorhistorical eventcrowdarchitectureceremony
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures and understanding how to create depth and atmosphere using value and color. It also provides practice in rendering realistic figures and drapery.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and value relationships.

  3. step 03

    Develop the background and architectural details, paying attention to perspective.

  4. step 04

    Start refining the figures, working from general shapes to more specific details.

  5. step 05

    Focus on the faces and hands, adding highlights and shadows to create form.

  6. step 06

    Add details to the clothing and accessories, using a variety of brushstrokes to create texture.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of other colors. Use glazes to build up depth and richness in the shadows.

techniques

  • ·figure drawing
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere.
  • →Making the colors too bright and saturated.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (burnt umber, raw sienna, ivory black, titanium white, cadmium red, yellow ochre, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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