
plate no. 3721
Hans Memling, 1487
Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing likeness. It also provides practice in depicting textures and details, such as fabric folds and architectural elements.
technical profile
approach — 8 steps
Create a preliminary sketch outlining the main shapes and composition.
Block in the background elements, including the window and architectural details.
Establish the basic skin tones and values of the face and hands.
Begin layering and blending colors to create smooth transitions and realistic skin texture.
Add details to the clothing, paying attention to the folds and shadows.
Paint the book and other objects on the table, focusing on texture and form.
Refine the details of the face, including the eyes, nose, and mouth.
Add final highlights and shadows to enhance the overall realism.
color palette
primary · flesh tones (various mixes of white, yellow ochre, and red) · browns (burnt umber, raw umber) · blues (ultramarine blue, cerulean blue)
secondary · reds (alizarin crimson, cadmium red) · yellow ochre · ivory black
Achieve realistic skin tones by gradually layering thin washes of color. Mix browns with blues and reds to create rich, dark shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Aristotle
Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist
Martin Schongauer

The pride of the beggar sitting on the train of haughtiness
Albrecht Altdorfer

Adoration of the Magi
Quentin Matsys

Christ on the Cross
Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete
Pieter Brueghel the Younger

Group of Men
Rogier van der Weyden

Madonna and Child Holding a Pear
Bernard Van Orley