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home·artworks·The Donor, from the right wing of the Diptych of Maerten van Nieuwenhove
The Donor, from the right wing of the Diptych of Maerten van Nieuwenhove by Hans Memling

plate no. 3721

The Donor, from the right wing of the Diptych of Maerten van Nieuwenhove

Hans Memling, 1487

oil, panelNorthern Renaissanceportraitportraitfigurebookwindowarchitecturestained glass
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering realistic skin tones and capturing likeness. It also provides practice in depicting textures and details, such as fabric folds and architectural elements.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch outlining the main shapes and composition.

  2. step 02

    Block in the background elements, including the window and architectural details.

  3. step 03

    Establish the basic skin tones and values of the face and hands.

  4. step 04

    Begin layering and blending colors to create smooth transitions and realistic skin texture.

  5. step 05

    Add details to the clothing, paying attention to the folds and shadows.

  6. step 06

    Paint the book and other objects on the table, focusing on texture and form.

  7. step 07

    Refine the details of the face, including the eyes, nose, and mouth.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · flesh tones (various mixes of white, yellow ochre, and red) · browns (burnt umber, raw umber) · blues (ultramarine blue, cerulean blue)

secondary · reds (alizarin crimson, cadmium red) · yellow ochre · ivory black

Achieve realistic skin tones by gradually layering thin washes of color. Mix browns with blues and reds to create rich, dark shadows.

techniques

  • ·glazing
  • ·layering
  • ·blending
  • ·scumbling
  • ·rendering fine details

common pitfalls

  • →overmixing colors resulting in muddy tones
  • →inaccurate proportions in the figure
  • →neglecting subtle value changes in the skin
  • →overworking details too early in the process

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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