apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Dome in Halle
The Dome in Halle by Lyonel Feininger

plate no. 7987

The Dome in Halle

Lyonel Feininger, 1930

oilCubismcityscapebuildingarchitecturecityscapeskygeometric shapes
some experience helpful

Recreating this painting will help students understand geometric abstraction and layering techniques to create depth and visual interest. It also provides practice in color mixing to achieve subtle tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic geometric shapes and architectural forms lightly on the canvas, focusing on the overlapping planes.

  2. step 02

    Block in the large areas of color, starting with the sky and background elements.

  3. step 03

    Develop the architectural details, paying attention to the light and shadow on the buildings.

  4. step 04

    Mix and apply the subtle color variations within each plane to create depth and form.

  5. step 05

    Refine the edges of the geometric shapes, allowing some to blend and others to remain sharp.

  6. step 06

    Add the small figures in the foreground to establish scale.

  7. step 07

    Review the overall composition and adjust values and colors as needed to achieve a cohesive look.

  8. step 08

    Add final details and highlights.

color palette

primary · Prussian blue · Yellow ochre · Raw umber

secondary · Titanium white · Burnt sienna

Achieve the muted tones by mixing the primary colors with white and small amounts of burnt sienna. Use Prussian blue and white for the sky, and yellow ochre with raw umber for the buildings.

techniques

  • ·Geometric abstraction
  • ·Layering
  • ·Glazing
  • ·Color mixing
  • ·Scumbling

common pitfalls

  • →Overcomplicating the geometric shapes.
  • →Creating muddy colors by overmixing.
  • →Losing the sense of depth by not layering effectively.
  • →Making the composition too symmetrical.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Prussian blue
  • ·Yellow ochre
  • ·Raw umber
  • ·Titanium white
  • ·Burnt sienna
  • ·Assorted brushes (flat and round)

optional

  • ·Palette knife
  • ·Medium (for oil paints)
  • ·Ruler

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger