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home·artworks·The Death of Hyacinthus
The Death of Hyacinthus by Giovanni Battista Tiepolo

plate no. 3709

The Death of Hyacinthus

Giovanni Battista Tiepolo, 1753

oil, canvasRococomythological paintingfiguresmythologyarchitectureskystatuelandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery painting, and creating atmospheric perspective. It also provides practice in rendering complex compositions with multiple figures and architectural elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Develop the figures, paying attention to anatomy, light, and shadow.

  4. step 04

    Refine the drapery, capturing the folds and textures.

  5. step 05

    Paint the architectural elements, focusing on perspective and detail.

  6. step 06

    Add the background elements, such as the sky and foliage, using atmospheric perspective.

  7. step 07

    Include the parrot and the tennis racket.

  8. step 08

    Add final details and highlights to enhance the overall realism and impact.

color palette

primary · ochre · ultramarine blue · titanium white · burnt umber

secondary · cadmium red · viridian · ivory black

Achieve skin tones by mixing ochre, white, and a touch of red. Create atmospheric perspective by adding blue and white to distant colors.

techniques

  • ·figure drawing
  • ·drapery painting
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Flat or lifeless drapery
  • →Lack of atmospheric perspective
  • →Overworking details too early

materials

surface · stretched canvas

required

  • ·Stretched canvas 24x36
  • ·Oil paints (ochre, ultramarine blue, titanium white, burnt umber, cadmium red, viridian, ivory black)
  • ·Palette
  • ·Assorted brushes (round, flat, filbert)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial blocking-in stage.

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oil painting for beginners →how to learn by studying the masters →
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