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home·artworks·The Dauphin Charles Orlant
The Dauphin Charles Orlant by Jean Hey

plate no. 2531

The Dauphin Charles Orlant

Jean Hey, 1494

oil, woodNorthern Renaissanceportraitportraitfigurechildclothingbackground patternheadwear
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and subtle shading. It will also improve their ability to replicate intricate patterns and textures.

technical profile

palette complexity
4
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, starting with the background and then the clothing.

  3. step 03

    Begin layering the skin tones, focusing on the subtle shifts in value and hue.

  4. step 04

    Add details to the clothing, including the folds and highlights.

  5. step 05

    Carefully render the facial features, paying attention to the eyes, nose, and mouth.

  6. step 06

    Paint the details of the beads, capturing their texture and color.

  7. step 07

    Refine the background pattern, ensuring it complements the figure.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing red ochre, raw umber, and titanium white, with small amounts of cadmium red light for the cheeks. The background is a mix of red ochre, raw umber, and ivory black, with variations in the proportions to create the pattern.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·layering
  • ·underpainting

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the face.
  • →Ignoring the subtle shifts in value and hue in the skin tones.
  • →Rushing the process and neglecting the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red ochre, raw umber, titanium white, ivory black, cadmium red light, yellow ochre)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (small round, flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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