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home·artworks·The crown of thorns (Grey Passion-5)
The crown of thorns (Grey Passion-5) by Hans Holbein the Elder

plate no. 1435

The crown of thorns (Grey Passion-5)

Hans Holbein the Elder, 1500

oilInternational Gothicreligious paintingfiguresreligious scenecrown of thornshistorical clothinginteriorsuffering
experienced study

Recreating this painting would help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also provides practice in depicting complex interactions between multiple figures.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of grays and browns.

  3. step 03

    Develop the drapery by observing the folds and highlights, paying attention to how light interacts with the fabric.

  4. step 04

    Refine the figures, focusing on accurate proportions and anatomical details.

  5. step 05

    Add subtle color variations to the skin tones and clothing to create depth and realism.

  6. step 06

    Paint the background with a smooth, even tone.

  7. step 07

    Add details such as the crown of thorns, weapons, and facial expressions.

  8. step 08

    Glaze with thin layers to unify the painting and enhance the colors.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · cadmium red light · Prussian blue

Achieve the various gray tones by mixing ivory black and titanium white in different ratios. Add small amounts of raw umber for warmth and yellow ochre for subtle highlights. Use cadmium red light for blood.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing

common pitfalls

  • →Inaccurate proportions in the figures.
  • →Overly harsh or flat lighting.
  • →Neglecting the subtle color variations in the gray tones.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·Prussian blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish

Use high-quality oil paints for best results. A smooth canvas surface will facilitate blending and glazing.

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