apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Countess of Keller
The Countess of Keller by Alexandre Cabanel

plate no. 7063

The Countess of Keller

Alexandre Cabanel, 1873

oil, canvasAcademicismportraitportraitfiguredressjewelryfurhair
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones, as well as blending and layering techniques to create soft transitions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with a dark, muted color.

  3. step 03

    Establish the basic skin tones with thin layers of paint, focusing on the light and shadow areas.

  4. step 04

    Begin layering the dress, using white and green to create the folds and highlights.

  5. step 05

    Add the fur stole, paying attention to the texture and direction of the fur.

  6. step 06

    Refine the facial features, focusing on the eyes, nose, and mouth.

  7. step 07

    Add details such as the jewelry and hair ornaments.

  8. step 08

    Apply final glazes to unify the painting and enhance the colors.

color palette

primary · titanium white · ivory black · raw umber · cadmium yellow

secondary · viridian green · alizarin crimson · burnt sienna

Skin tones are achieved by mixing white, yellow, red, and a touch of brown. The dress is created with various shades of white and green, while the background is a mix of black and brown.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the subtle variations in color and value.
  • →Getting lost in the details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·odorless mineral spirits
  • ·round brushes (sizes 0, 2, 4)
  • ·flat brushes (sizes 6, 8)
  • ·palette
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus