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home·artworks·The Countess Brownlow
The Countess Brownlow by Frederic Leighton

plate no. 6593

The Countess Brownlow

Frederic Leighton, 1879

oilAcademicismportraitfiguredressflowerslandscapeskyportrait
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds and capturing subtle skin tones. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's pose and proportions.

  2. step 02

    Block in the main areas of color: sky, background landscape, dress, and skin tones.

  3. step 03

    Begin refining the sky and background, paying attention to the subtle color variations and atmospheric perspective.

  4. step 04

    Start building up the layers of the dress, focusing on the highlights and shadows to create the illusion of folds and volume.

  5. step 05

    Carefully render the skin tones, using thin layers of paint to build up the subtle variations in color.

  6. step 06

    Paint the flowers, paying attention to their form and color.

  7. step 07

    Add details to the dress and background, such as the trim on the dress and the foliage in the landscape.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · ivory black · alizarin crimson

Mix various shades of white with yellow ochre and burnt umber for the dress. Use ultramarine blue and white for the sky, and add touches of yellow ochre for warmth. Mix cadmium red and alizarin crimson for the flowers.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth in the background.
  • →Using too much paint, resulting in a muddy appearance.
  • →Incorrect proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for building up layers of paint.

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