apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Coronation of Queen Victoria
The Coronation of Queen Victoria by John Martin

plate no. 3911

The Coronation of Queen Victoria

John Martin, 1839

oilRomanticismhistory paintingarchitecturecathedralfiguresceremonyinteriorlight
experienced study

Recreating this painting will help students develop skills in rendering complex architectural details and managing a large number of figures in a scene. It also provides practice in capturing atmospheric perspective and subtle light effects.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the cathedral interior.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the architecture and the general placement of the figures.

  3. step 03

    Develop the architectural details, paying attention to the light and shadow patterns that define the forms.

  4. step 04

    Start adding details to the figures, focusing on the key individuals and the overall sense of a crowd.

  5. step 05

    Refine the lighting effects, particularly the light streaming through the stained glass window.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the details of the stained glass window.

  8. step 08

    Make final adjustments to the colors, values, and details to create a cohesive and finished painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the warm, muted tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of red and blue to create the colors of the stained glass and the robes.

techniques

  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·scumbling
  • ·rendering details

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →losing the overall sense of light and atmosphere
  • →making the figures look too uniform

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·variety of round and flat brushes
  • ·palette
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use a canvas with a smooth surface to allow for detailed rendering. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke