apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Copperplate Engraver Carl Edvard Sonne
The Copperplate Engraver Carl Edvard Sonne by Ditlev Blunck

plate no. 7314

The Copperplate Engraver Carl Edvard Sonne

Ditlev Blunck, 1826

oil, canvasAcademicismportraitportraitfigureinteriorwindowtableartwork
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as understanding how to create depth and atmosphere in an interior scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure and the interior elements.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Focus on the face, carefully building up the skin tones with subtle layers of color, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, rendering the folds and textures with varying brushstrokes.

  5. step 05

    Paint the background elements, including the window, wallpaper, and artwork, using a muted palette.

  6. step 06

    Add details to the table and objects on it, such as the drawing tools and violin.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed to create a sense of depth and harmony.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · ivory black · titanium white · raw umber · burnt sienna

secondary · yellow ochre · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. The dark areas are created by mixing black and umber with a touch of blue.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions in the figure.
  • →Overly harsh or muddy skin tones.
  • →Lack of depth and atmosphere in the interior.
  • →Neglecting the subtle details that bring the painting to life.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (ivory black, titanium white, raw umber, burnt sienna, yellow ochre, cadmium red light, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A medium-tooth canvas is recommended for this style of painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus