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home·artworks·The Complain of the Watch
The Complain of the Watch by Jean-Baptiste Greuze

plate no. 0259

The Complain of the Watch

Jean-Baptiste Greuze, 1770

oilRococoportraitfigureinteriordresschairtableattic
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering fabric folds. It also provides practice in creating a sense of depth and atmosphere through tonal variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the placement of the figure and key elements.

  2. step 02

    Establish the background tones, working from dark to light to create depth.

  3. step 03

    Block in the main shapes of the figure, paying attention to proportions and pose.

  4. step 04

    Begin layering in the skin tones, using thin glazes to build up subtle variations.

  5. step 05

    Render the fabric of the dress, focusing on the highlights and shadows to create a sense of volume.

  6. step 06

    Add details to the face, hands, and other focal points.

  7. step 07

    Refine the details of the surrounding objects, such as the chair, table, and bed.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red light · ultramarine blue

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use ivory black and raw umber to create the darker tones in the background and shadows. Add small amounts of blue to create cooler shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth in the background.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.

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