apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The church of New Harmony
The church of New Harmony by Karl Bodmer

plate no. 8344

The church of New Harmony

Karl Bodmer, 1832

watercolor, paperRomanticismcityscapebuildingsskytreesfigureslandscapetown
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and watercolor layering techniques. It also provides practice in rendering architectural details and figures in a landscape setting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the buildings, trees, and horizon line.

  2. step 02

    Apply a light wash of diluted blue and gray for the sky, allowing it to blend naturally.

  3. step 03

    Paint the distant landscape elements with diluted browns and greens, focusing on atmospheric perspective.

  4. step 04

    Begin layering colors on the buildings, starting with light washes and gradually adding darker tones for shadows.

  5. step 05

    Add details to the buildings, such as windows and architectural features, using a fine brush.

  6. step 06

    Paint the foreground with warmer browns and yellows, adding texture and details to the ground.

  7. step 07

    Add figures and animals to the scene, paying attention to their proportions and placement.

  8. step 08

    Refine the details and add final touches, such as highlights and shadows, to create depth and realism.

color palette

primary · Prussian blue · Burnt sienna · Yellow ochre

secondary · Payne's gray · Raw umber · Titanium white

Mix blues and grays for the sky and distant hills. Use burnt sienna and yellow ochre for the foreground. Vary the intensity of colors by adding water.

techniques

  • ·Wet-on-wet blending
  • ·Layering
  • ·Dry brush
  • ·Lifting
  • ·Glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Using colors that are too saturated, resulting in a flat and unrealistic appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Ignoring the importance of light and shadow in defining forms.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor paper 140lb
  • ·Round brushes (sizes 2, 6, 10)
  • ·Flat brush (size 1/2 inch)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Watercolor pencils

Use high-quality watercolor paints for best results. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke