apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Cellar Boy
The Cellar Boy by Jean-Baptiste-Simeon Chardin

plate no. 5901

The Cellar Boy

Jean-Baptiste-Simeon Chardin, 1738

oil, canvasRococogenre paintingfigureinteriorkitchenwarevesselsbarrelapron
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and capturing the subtle variations in light and shadow on different surfaces. Students will also learn to create a sense of depth and atmosphere through layering and glazing techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background, paying attention to the subtle variations in tone.

  4. step 04

    Start building up the figure, focusing on the light and shadow patterns.

  5. step 05

    Add details to the objects, such as the barrel, jugs, and buckets.

  6. step 06

    Refine the edges and blend the colors to create a soft, diffused effect.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth.

  8. step 08

    Glaze with thin layers of color to unify the painting and create a warm, atmospheric glow.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · burnt sienna · ultramarine blue · ivory black

Mix various shades of brown and gray by combining raw umber, yellow ochre, and ultramarine blue with titanium white. Use burnt sienna to add warmth to the skin tones and objects. Add ivory black to darken the shadows.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the painting and losing the soft, diffused effect.
  • →Using too much detail and creating a cluttered composition.
  • →Failing to capture the subtle variations in tone and color.
  • →Ignoring the importance of light and shadow in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Allow each layer of paint to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West