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home·artworks·The Cardinal's Portrait
The Cardinal's Portrait by Toby Edward Rosenthal

plate no. 7129

The Cardinal's Portrait

Toby Edward Rosenthal

oilAcademicismgenre paintingfiguresportraitinteriorpaintingtablerug
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, capturing realistic skin tones, and creating depth through atmospheric perspective. It also provides practice in depicting a detailed interior scene with multiple light sources.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch of the overall composition, paying attention to proportions and placement of figures and objects.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the main colors of the background, floor, and walls, focusing on achieving the correct values.

  4. step 04

    Start working on the figures, beginning with the cardinal, building up layers of color to create the drapery folds and skin tones.

  5. step 05

    Move on to the artist and the portrait on the easel, paying attention to the subtle color variations in the clothing and skin.

  6. step 06

    Add details to the table, rug, and other objects in the scene, using smaller brushes for finer lines and textures.

  7. step 07

    Refine the highlights and shadows to create a sense of depth and realism.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious overall effect.

color palette

primary · red ochre · raw umber · titanium white · ivory black

secondary · ultramarine blue · yellow ochre · cadmium red light

Achieve the cardinal's robe color by mixing red ochre and cadmium red light with varying amounts of white. Use raw umber and ivory black to create the darker tones in the shadows and background. Mix ultramarine blue and raw umber for the rug's blue tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·layering

common pitfalls

  • →Getting the proportions of the figures wrong
  • →Overworking the details too early
  • →Failing to create a convincing sense of depth
  • →Using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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