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home·artworks·The Burning of Giordano Bruno
The Burning of Giordano Bruno by Leonora Carrington

plate no. 1516

The Burning of Giordano Bruno

Leonora Carrington, 1964

oilSurrealismhistory paintingliondeerbirdgeometric shapesmythical creaturesfigures
experienced study

Recreating this painting will develop skills in layering colors to create depth and atmosphere, as well as accurately rendering complex geometric and organic forms. Students will also learn how to create a unified color scheme with subtle variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the canvas with a warm reddish-brown base color.

  2. step 02

    Lightly sketch the main geometric shapes and figures using a pencil or light-colored chalk.

  3. step 03

    Begin layering in the background colors, focusing on creating a sense of depth and atmosphere.

  4. step 04

    Start defining the shapes of the lion, deer, bird, and other figures with darker shades of brown and red.

  5. step 05

    Add highlights to the figures and geometric shapes using lighter shades of ochre and white.

  6. step 06

    Refine the details of the figures, paying attention to the intricate patterns and textures.

  7. step 07

    Add the finer geometric details and lines with a fine brush.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the depth.

color palette

primary · burnt sienna · raw umber · ochre

secondary · titanium white · cadmium red light

Achieve the various shades of brown and red by mixing burnt sienna, raw umber, and cadmium red light. Use white to create highlights and ochre to add warmth.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·dry brushing
  • ·linear perspective

common pitfalls

  • →Overworking the details too early
  • →Creating too much contrast
  • →Losing the overall unity of the color scheme
  • →Inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·ochre oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·linseed oil
  • ·various sized round brushes

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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