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home·artworks·The Broken Pitcher
The Broken Pitcher by William-Adolphe Bouguereau

plate no. 6985

The Broken Pitcher

William-Adolphe Bouguereau, 1891

oil, canvasAcademicismportraitfigurewater pumppitcherlandscapestepsplaid shawl
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate skin tone mixing and rendering of fabric textures. It also provides practice in creating atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure and objects.

  2. step 02

    Establish the background with a thin wash of color, paying attention to atmospheric perspective.

  3. step 03

    Block in the main shapes of the figure, including the face, arms, and clothing.

  4. step 04

    Begin refining the skin tones, using subtle color variations to create form and depth.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the shawl and dress.

  6. step 06

    Paint the water pump and pitcher, paying attention to their form and texture.

  7. step 07

    Add the final details, such as the highlights in the eyes and the small plants in the foreground.

  8. step 08

    Glaze and adjust colors as needed to achieve the desired effect.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · cadmium red · viridian green · raw sienna

Skin tones are achieved through subtle mixes of burnt umber, yellow ochre, cadmium red, and titanium white. The dark dress is a mix of ultramarine blue and burnt umber. The green pitcher is a mix of viridian green, yellow ochre, and burnt umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·blending

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Failing to accurately capture the proportions of the figure.
  • →Ignoring the subtle color variations in the skin tones.
  • →Creating harsh lines and edges, rather than soft transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, cadmium red, viridian green, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering paint.

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oil painting for beginners →how to learn by studying the masters →
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