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home·artworks·The Broken Pitcher
The Broken Pitcher by Jean-Baptiste Greuze

plate no. 5816

The Broken Pitcher

Jean-Baptiste Greuze, 1771

oil, canvasRococoportraitfigureportraitdressflowersarchitecturepitcher
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and drapery. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and background elements.

  2. step 02

    Establish the background with broad washes of color, focusing on the overall value structure.

  3. step 03

    Block in the main areas of the figure, paying attention to the light and shadow patterns on the dress and skin.

  4. step 04

    Begin refining the facial features, using subtle color variations to create form and expression.

  5. step 05

    Develop the details of the dress, using highlights and shadows to suggest the folds and textures of the fabric.

  6. step 06

    Add the details of the flowers and other accessories, paying attention to their color and form.

  7. step 07

    Refine the background elements, adding details and adjusting values to create depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · yellow ochre · alizarin crimson · ultramarine blue

Mix subtle skin tones by blending white, red, yellow ochre, and a touch of blue. Achieve the silvery sheen of the dress by mixing white with small amounts of black and umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·drapery rendering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Losing the overall sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (titanium white, ivory black, raw umber, cadmium red light, yellow ochre, alizarin crimson, ultramarine blue)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Soft cloths

optional

  • ·Retouch varnish
  • ·Medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the process of establishing the value structure.

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oil painting for beginners →how to learn by studying the masters →
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