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home·artworks·The Broken Paw
The Broken Paw by Michael Sowa

plate no. 6682

The Broken Paw

Michael Sowa

oilSurrealismanimal paintingcatdoorstepsbuildingshadowsfoliage
some experience helpful

Recreating this painting will help students develop skills in rendering subtle light and shadow, and in creating realistic textures with layering and glazing techniques. It also provides practice in capturing the likeness and form of an animal subject.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the door, steps, and cat.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main color areas: the door, the steps, the cat, and the surrounding architecture.

  4. step 04

    Begin layering colors to build up the form and create depth, paying attention to the light and shadow.

  5. step 05

    Refine the details of the cat, including its fur, eyes, and the bandage.

  6. step 06

    Add subtle highlights and shadows to the door and steps to enhance their realism.

  7. step 07

    Glaze thin layers of color to unify the painting and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed.

color palette

primary · burnt umber · titanium white · yellow ochre

secondary · ultramarine blue · cadmium yellow · ivory black

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and ultramarine blue with white. Use small amounts of cadmium yellow to create warmer tones, and ivory black to deepen shadows.

techniques

  • ·layering
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to accurately capture the proportions and anatomy of the cat.
  • →Creating overly harsh or abrupt transitions between light and shadow.
  • →Using colors that are too saturated or bright, which can detract from the painting's overall mood.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (burnt umber, titanium white, yellow ochre, ultramarine blue, cadmium yellow, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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