apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The Broken Mirror
The Broken Mirror by Jean-Baptiste Greuze

plate no. 7599

The Broken Mirror

Jean-Baptiste Greuze, 1763

oilRococogenre paintingfigureinteriordressdogfurnituremirror
experienced study

Recreating this painting will help students develop skills in rendering fabric folds, capturing subtle skin tones, and creating a sense of depth through atmospheric perspective. It also offers practice in depicting realistic textures and details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and composition.

  2. step 02

    Establish the background tones, focusing on the subtle variations in color and value.

  3. step 03

    Block in the main forms of the figure, paying attention to the proportions and pose.

  4. step 04

    Start building up the layers of the dress, using light and shadow to create the illusion of volume and texture.

  5. step 05

    Carefully render the face, focusing on capturing the expression and subtle details.

  6. step 06

    Add the details of the furniture, accessories, and dog, paying attention to their textures and colors.

  7. step 07

    Refine the overall composition, adjusting the values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna

secondary · alizarin crimson · yellow ochre · ivory black

Achieve the subtle skin tones by mixing titanium white, raw umber, and a touch of alizarin crimson. Create the fabric's sheen by layering thin glazes of white and raw umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering fabric
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to capture the subtle variations in color and value.
  • →Not creating enough depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Louis XV, King of France

Louis XV, King of France

Charles-Andre van Loo (Carle van Loo)

William James

William James

Joshua Reynolds

Wooded Landscape with Gypsies, Evening

Wooded Landscape with Gypsies, Evening

George Lambert

Head of a Scholar

Head of a Scholar

Giovanni Domenico Tiepolo

Gentleman and Wife

Gentleman and Wife

William Williams

Portrait of Antoine Watteau

Portrait of Antoine Watteau

Rosalba Carriera

Portrait of Henriette of France, daughter of Louis XV

Portrait of Henriette of France, daughter of Louis XV

Jean-Étienne Liotard

Mr. John Williams

Mr. John Williams

Benjamin West