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home·artworks·The Bourbon Altarpiece (The Moulins Triptych)
The Bourbon Altarpiece (The Moulins Triptych) by Jean Hey

plate no. 0683

The Bourbon Altarpiece (The Moulins Triptych)

Jean Hey, 1498

oil, panelNorthern Renaissancereligious paintingfiguresreligious sceneangelsportraitsaltarpieceroyalty
experienced study

Recreating this painting will help students develop skills in portraiture, drapery rendering, and creating a sense of depth through layering and atmospheric perspective. It also provides practice in rendering complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to map out the composition and proportions of the figures and architectural elements.

  2. step 02

    Underpaint the entire canvas with a thin layer of burnt umber or a similar earth tone.

  3. step 03

    Block in the main shapes and colors of the figures, focusing on accurate proportions and basic values.

  4. step 04

    Begin layering colors, starting with the darkest values and gradually adding highlights.

  5. step 05

    Pay close attention to the drapery, using highlights and shadows to create a sense of volume and texture.

  6. step 06

    Refine the details of the faces, hands, and other important features.

  7. step 07

    Add the details of the background elements, such as the architectural details and the surrounding figures.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the depth.

color palette

primary · red · blue · gold · white

secondary · brown · black · ochre · grey

Achieve the rich reds by mixing crimson with a touch of burnt sienna. Create the blues by mixing ultramarine with white for lighter shades. Use yellow ochre and burnt umber to create the gold tones.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·portraiture
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (red, blue, gold, white, brown, black, ochre)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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