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home·artworks·The bouquet in Delft
The bouquet in Delft by Diogène Maillart

plate no. 9308

The bouquet in Delft

Diogène Maillart

oil, canvasAcademicismflower paintingflowersbouquetvasetablestill lifelilacs
some experience helpful

Recreating this painting will help students develop skills in color mixing, layering, and creating texture with visible brushstrokes. It also offers practice in capturing the form and detail of floral arrangements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the vase, table, and flower arrangement.

  2. step 02

    Establish the background with a dark, muted color.

  3. step 03

    Block in the main color masses of the flowers, focusing on general hues and values.

  4. step 04

    Add details to the vase, including the Delft-style patterns.

  5. step 05

    Develop the individual flowers, using short, broken brushstrokes to create texture.

  6. step 06

    Refine the highlights and shadows to create depth and dimension.

  7. step 07

    Add details to the table surface and any objects on it.

  8. step 08

    Review and adjust colors and values to achieve a harmonious composition.

color palette

primary · titanium white · cadmium yellow · alizarin crimson · ultramarine blue

secondary · burnt umber · sap green · violet

Achieve the various floral hues by mixing primary colors with white and small amounts of secondary colors. Use burnt umber and ultramarine blue to create the dark background and shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·layering
  • ·alla prima
  • ·impasto

common pitfalls

  • →Overworking the details too early
  • →Using colors straight from the tube without mixing
  • →Ignoring the overall value structure
  • →Creating muddy colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (titanium white, cadmium yellow, alizarin crimson, ultramarine blue, burnt umber, sap green)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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