apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·The black monster attacking the wife of a carpe
The black monster attacking the wife of a carpe by Tsukioka Yoshitoshi

plate no. 7665

The black monster attacking the wife of a carpe

Tsukioka Yoshitoshi

oilUkiyo-emythological paintingmonsterfigureinteriorclothingmythologynewspaper
some experience helpful

Recreating this painting will help students understand how to depict complex scenes with multiple figures and develop skills in rendering textures and patterns using limited color palettes. Students will also learn about composition and storytelling in art.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the monster.

  2. step 02

    Block in the main color areas, starting with the background and the largest shapes.

  3. step 03

    Add details to the figures, including their clothing and facial expressions.

  4. step 04

    Develop the texture of the monster using dry brush techniques and varying pressure.

  5. step 05

    Refine the lighting and shadows to create depth and dimension.

  6. step 06

    Add patterns to the clothing and other elements, paying attention to the direction of the lines.

  7. step 07

    Include the text elements and borders.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · indigo · white · green

secondary · red · brown · gray

Mix indigo with white to create various shades of blue. Use red and brown to create a muted red-brown for the lantern base. Mix white with small amounts of indigo and brown for the monster's fur.

techniques

  • ·dry brush
  • ·color layering
  • ·hatching
  • ·pattern rendering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early
  • →Not establishing a clear value structure
  • →Ignoring the direction of the brushstrokes
  • →Getting lost in the complexity of the patterns

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·indigo oil paint
  • ·white oil paint
  • ·green oil paint
  • ·red oil paint
  • ·brown oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·retarder medium
  • ·linseed oil

Use a canvas with a smooth surface to allow for detailed brushwork. Consider using a retarder medium to extend the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada