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home·artworks·The Bell of Huesca
The Bell of Huesca by José María Casado del Alisal

plate no. 8250

The Bell of Huesca

José María Casado del Alisal, 1880

oil, canvasAcademicismhistory paintingfiguresarchitecturestonestepscrowdheads
experienced study

Recreating this painting will help students develop skills in depicting complex figures, architectural details, and creating a dramatic atmosphere through value and color. It also requires careful planning of composition and understanding of perspective.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and perspective.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on accurate proportions.

  3. step 03

    Establish the light and shadow patterns, paying attention to the direction and intensity of the light source.

  4. step 04

    Begin to build up the details of the figures, starting with the faces and hands.

  5. step 05

    Add texture to the stone walls and steps using dry brush techniques.

  6. step 06

    Develop the details of the clothing and armor, paying attention to the folds and highlights.

  7. step 07

    Refine the details of the severed heads, using a limited palette of reds and browns.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · burnt umber · ivory black · titanium white

secondary · yellow ochre · cadmium red · ultramarine blue

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use glazes of transparent colors to create depth and richness.

techniques

  • ·grisaille underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →getting lost in details too early
  • →inaccurate proportions of figures
  • →muddy colors
  • →lack of value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·oil paints (raw umber, burnt umber, ivory black, titanium white, yellow ochre, cadmium red, ultramarine blue)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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