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home·artworks·The Attributes of Music
The Attributes of Music by Anne Vallayer-Coster

plate no. 3722

The Attributes of Music

Anne Vallayer-Coster, 1770

oilRococostill lifemusical instrumentsstill lifemusic sheetstableclothcandlelute
experienced study

Recreating this painting will help students develop skills in rendering textures of different materials and understanding complex arrangements of objects in a still life. It also provides practice in creating subtle gradations of light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and arrangement of the objects, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background with a dark, blended wash, leaving space for the objects.

  3. step 03

    Block in the main colors of each object, focusing on the overall color harmony.

  4. step 04

    Begin to refine the shapes and values of the objects, adding highlights and shadows.

  5. step 05

    Work on the textures of the different materials, such as the wood of the instruments, the fabric of the tablecloth, and the paper of the music sheets.

  6. step 06

    Add details such as the strings of the instruments, the notes on the music sheets, and the folds in the fabric.

  7. step 07

    Refine the lighting and shadows, paying attention to the way light interacts with each object.

  8. step 08

    Add final details and adjustments to create a cohesive and realistic image.

color palette

primary · burnt umber · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · ivory black

Achieve the rich browns and wood tones by mixing burnt umber, yellow ochre, and small amounts of red and black. The blue tablecloth is a mix of ultramarine blue and white, with subtle variations created by adding small amounts of burnt umber or yellow ochre.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting
  • ·blending

common pitfalls

  • →Incorrect proportions of the instruments
  • →Overly bright or saturated colors
  • →Lack of depth and dimension
  • →Ignoring the subtle variations in color and value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use high-quality oil paints for best results. A smooth canvas surface is recommended for detailed work.

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